This film is a road trip across America, as Sharron Rose visits with scholars and shamans, asking about 2012. As she absorbs the knowledge, the viewer can also begin to let these ideas sink in. Her own vision is broad, as someone that sees the societal collapse going on in our world. She then gently guides the narrative without rushing to conclusions. Everything about this film reflects the true magnitude of what we're moving toward as a species. The predictions that are made never eclipse the fact that there's an awesome event on our horizon, that remains a mystery until experienced.
- It's a great introduction to many perspectives on 2012.
- The film gives the foundation for these prophecies, with historic background.
- Without pushing answers, the film has guidance about how to open to the changes.
- The narrator is a "seeker" and her curiosity about 2012 carries the story.
- I would have liked to see more on the Divine Feminine.
- It left me wondering about ancient lineages held by female wisdom keepers.
- I'm so curious about how the Mayan shamans of today are preparing.
- Interviews with Jose Arguelles, John Major Jenkins, Alberto Villoldo, Gregg Braden, Moira Timms, Jay Weidner and more.
- Side trips to see the Georgia Guidestones and the Denver Airport weave in the secret societies, alchemists and Masons.
- Includes the story of the Cross of Hendaye, and its symbolism pointing to Day of Judgment.
- Gregg Braden describes the Earth's magnetic reversal, and that our bodies will match the change or we'll resist.
- Geoff Stray sees two camps -- one predicting catastrophe and the other ecstasy. He says the doom theories are not backed up.
- Albert Villoldo says it's crucial to wake up from the cultural trance. All say it's vital to Free Your Mind.
- Moira Timms says Sept 11th was the trumpet call, the beginning of the end of the Iron age.
- "The highest reality is synchronicity," says Jose Arguelles. For the Maya, it was the norm.
- Includes info on the astronomical alignment of the Winter Solstice Sun (Dec 21) to the center of the Milky Way Galaxy.
- A visit with Rose's friend starts a discussion on Indigo Children, and the need to believe in a bright future.
Filmmaker Sharron Rose begins with a look around at what humans have de-volved into. "Everywhere I looked, I saw wars, pain and injustice." But the door is left open to question our perspective. What if all the chaos we're seeing around us these days, is the breakdown that's necessary to step into our new life on Earth. In the film, the late Terence McKenna says we are burning our bridges to the past. If we could see with ancient eyes, would this total collapse of our world make sense?
This film shows Rose leaving what looks like an evergreen paradise in the Northwest, and hitting the road. In some scenes, the sameness of the highways, the generic car, and rainy weather, for me added to the modern longing to connect with something timeless. The interviews are little snipets of 2012 wisdom, and present different veins of study. What's great about the film, though, is that it weaves these into a common narrative. There is only one prophecy, says Moira Timms, and it goes by many names -- rapture, Armageddon, apocalypse, ascension, harvesting of Souls, a global initiation, End Times, galactic alignment to name a few.
My own perception of 2012 evolves with each new bit of wisdom I take in. And this film deepened my understanding of what a momentous moment we're moving toward. The universal distress we're seeing, and a degradation of life signals an ending. Many (myself included) have visions of Earth changes, and that's a frightening prospect. The film hits on the paradox of the moment -- we're eternal beings facing our own mortality as a species.
How astonishing to be alive at the End of an Age! There will be more telepathy, and an influx of energies that changes our bodies, and helps us match the changing Earth. The film presents the deeper mysteries of time, and the wonder of where we are on that continuum.
